Good ceramic works stand the test of time

According to some auction records of some Chinese auction companies from the last year to the first half of this year, the art ceramics with fine arts and craftsmanship in the Ming and Qing dynasties were able to be refreshed. Such as Ming Jiajing multicolored "Lotus pond algae pattern" cans shot 25.58 million yuan, the Qing Emperor Kangxi imperial carmine enamel color "Lotus Figure" bowl shot 74 million yuan, Qing Yongzheng pastel "Peach Taoxianshou" cover box shot 43 million yuan.

During the period of **, the works of “Zhushan Eight Friends” were highly praised by their natural charm and artistic conception. The transaction price was between RMB 7000 and RMB 1 million, including Wang Dafan’s pastel “character” vase. The auction of 1.38 million yuan and Wang Qi's pastel "Liu Hai Opera Jinluo" porcelain plate took 1.89 million yuan and Wang Yeuting's ink painting "Tong Jing Shan Shui" made a large pen pencil shot at 4.83 million yuan.

The above explanation: Time is the best standard for examining ceramic art works, and good ceramic art works can stand the test of time. If it is simple and superficial, it is impossible to be so popular and its value will not be high. Since the reform and opening up, under the favorable conditions of the market economy, there have been many fine works of fine ceramic art, which can be seen in the auction. After the 6.8 million yuan of the ceramic tile painting of “Huangshan 4000” produced by Wang Xiliang, a master of Chinese arts and crafts, the price of contemporary ceramic artists is relatively high. According to the size and exquisiteness of the works, the price is from tens of thousands to several million yuan. Wait.

Since last year, the Jingdezhen Ceramic Institute Professor Zhong Linsheng glazed the porcelain plate of the “Han Palace Autumn Moon” and sold 1.24 million yuan, and the ceramics professor Lu Jinquan’s blue-and-white “Fragrant Fluttering” jar covered the canopy and produced 1.61 million yuan. Master Zhang Songmao’s pastel “Three visits to Mao Ming Kong Ming Mountain Map” porcelain plate, shot a high price of RMB 4,887,500. They left valuable cultural wealth for future generations.

However, due to the prosperity of the art ceramics market, and the frequent evaluation of titles and assessments of masters in various fields in recent years, and some unhealthy attitudes in the society, there have been a large number of rough and even shoddy works of art ceramics, because the authors of these works have The artwork is extensive, and some of Tuli mimics masterpieces. Some of the drawings are superficial, some are simple, and others cannot be denied. These are all irresponsible to history, to themselves, and to the majority of ceramic enthusiasts. It also caused some old artists and collectors to worry. In particular, some so-called ceramic artists who want to become famous rapidly and who have already obtained “famous and profitable” have done a lot of works, but most of them are “copying”, “copying” or “changing their face”. In fact, these people have never touched the “gate” of ceramic art, and are self-righteous and arrogant. Even if the works are sold out with titles such as “Master,” “Professor,” and “Higher Industry,” these works will be of little value over time and may even be abandoned.

Ceramic art, like all other arts, must be firmly established. The author once visited a painting exhibition in Nanjing. There are several well-known famous painters in Nanjing. At that time, they all painted extensive works eager to reflect their own appearance. Twenty years later, at that time, young people at that time had entered the mature age of drawing about 60 years old and finally realized the true meaning of Chinese painting. The painters returned to the tradition of annihilation and re-completed the “destroy the butterfly”. Process, our ceramic art is not the case.